My current project ‘The Afterlives Of Clothes’, was initially developed while on a Fellowship at the Costume Institute of The Metropolitan Museum of Art, New York (2018-19) and an artist’s residency at Bard Graduate Center, New York (2019- 2020). The project the project brings together archival research with auto-ethnographic writing, image, and filmmaking to explore the affect of damaged garments in museum collections. Focusing on accessories, objects which Jones and Stallybrass term “detachable parts” of the self, it seeks to highlight the bodily practices of wearing and maintaining clothes, clothing as lived and embodied experience, in objects where little or no biographical evidence exists. Asking how in a field where absent bodies and narratives are already understood as problematic, these traces might re-contextualize objects and bring into focus bodies and narratives which would otherwise be excluded from display.
I am also co-founder of Fashion Research Network, an interdisciplinary network for researchers in fashion studies. Through collaboration we facilitate, disseminate and promote conversations which critically examine the nature of fashion studies and the parameters of the field. FRN brings together researchers from multiple subject areas and institutions to critically examine the role of dress in society. Founded a point when the field was both less established and less defined, FRN has played a key part in shaping understanding of fashion studies as a diverse and dynamic field in the UK. We work to facilitate conversations and collaboration between those who research through practice and those who research using traditional methodologies. FRN is built on a model of collaboration, working with a diverse range of partners to deliver events. Past partners include FIT, University of Brighton, National Portrait Gallery and ICA. Since 2013 FRN have convened 11 symposia, and numerous seminars, reading groups, and curator talks- building a vibrant and resilient network of researchers